Tuesday, November 7, 2023

#WingedWordsWindsday: 2023/11/08 -- Happy 28th Birthday to Quotemail!

 

WINGED WORDS WINDSDAY

Compiled & Edited by Rob Chappell (@RHCLambengolmo)

Vol. 3, No. 2: November 8, 2023


 




Special 28th Anniversary of Quotemail Edition


 


Editor’s Note

                It was 28 years ago this week, when I was a graduate student in the Department of Germanic Languages and Literatures at the University of Illinois, that I sent out my first “Quotemail” message to a group of friends and relatives. Weekly and monthly installments continued to be released through the years, and eventually the distribution was shifted to a fortnightly format. It all began as REEL – Rob’s Eclectic Edutainment List – but it grew into something bigger and more long-lasting than I could ever have imagined at the time. Quotemail gradually became a community of listeners who have encouraged me to “keep on keeping on,” even when my personal sky was overcast and there was, to all appearances, no guiding star by which to steer my ship.

                So today’s edition of Winged Words Windsday is dedicated to everyone who has ever belonged to the RHC Fortnightly Quotemail list. I trust that the vast majority of you are still here in this world’s realm, while I know that a few of you have passed beyond this mortal life and crossed the Rainbow Bridge into the realms of endless day. Thank you for your encouragement, your friendship, and your support. It has been a joy to spend half of my lifetime among such amazing fellow-travelers!

                Before we cut to the chase, I’d like to take a moment to mention one listmember in particular who has been a shining star in my life, and in the lives of so many others. Ambrosiastra (which means “Immortal Star” in Latin), thank you for being the incredible person that you are, and here’s wishing you a very Happy 28th Birthday TODAY! 😊

                The selections for this week are drawn from Voices of the Night, an 1839 collection of poems by Henry Wadsworth Longfellow (1807-1882), whom longtime listmembers will recognize as one of my favorite American poets. In these poems, Longfellow shares some reflections on the human condition that have become very meaningful to me since Quotemail first began 28 years ago. The first poem, “A Psalm of Life,” is a perennial favorite of mine; I recited it on All Souls’ Day – November 2, 2018 – when I visited the gravesite of Dr. Edmund J. James (1855-1925), the 4th President of the University of Illinois, in the company of my intrepid padawan-learner, Megan.

 

A daguerreotype portrait of Longfellow from 1850. (Photo Credit: Public Domain via Wikimedia Commons)

 

“A Psalm of Life”

(What the Heart of the Young Man Said to the Psalmist)

 

Tell me not, in mournful numbers,

Life is but an empty dream!—

For the soul is dead that slumbers,

And things are not what they seem.

 

Life is real! Life is earnest!

And the grave is not its goal;

Dust thou art, to dust returnest,

Was not spoken of the soul.

 

Not enjoyment, and not sorrow,

Is our destined end or way;

But to act, that each to-morrow

Find us farther than to-day.

 

Art is long, and Time is fleeting,

And our hearts, though stout and brave,

Still, like muffled drums, are beating

Funeral marches to the grave.

 

In the world's broad field of battle,

In the bivouac of Life,

Be not like dumb, driven cattle!

Be a hero in the strife!

 

Trust no Future, however pleasant!

Let the dead Past bury its dead!

Act,—act in the living Present!

Heart within, and God overhead!

 

Lives of great men all remind us

We can make our lives sublime,

And, departing, leave behind us

Footprints on the sands of time;

 

Footprints, that perhaps another,

Sailing o'er life's solemn main,

A forlorn and shipwrecked brother,

Seeing, shall take heart again.

 

Let us, then, be up and doing,

With a heart for any fate;

Still achieving, still pursuing,

Learn to labor and to wait.

 


“The Reaper and the Flowers”

 

There is a Reaper, whose name is Death,

And, with his sickle keen,

He reaps the bearded grain at a breath,

And the flowers that grow between.

 

"Shall I have naught that is fair?" saith he;

"Have naught but the bearded grain?

Though the breath of these flowers is sweet to me,

I will give them all back again."

 

He gazed at the flowers with tearful eyes,

He kissed their drooping leaves;

It was for the Lord of Paradise

He bound them in his sheaves.

 

"My Lord has need of these flowerets gay,"

The Reaper said, and smiled;

"Dear tokens of the earth are they,

Where He was once a child.

 

"They shall all bloom in fields of light,

Transplanted by my care,

And saints, upon their garments white,

These sacred blossoms wear."

 

And the mother gave, in tears and pain,

The flowers she most did love;

She knew she should find them all again

In the fields of light above.

 

Oh, not in cruelty, not in wrath,

The Reaper came that day;

'Twas an angel visited the green earth,

And took the flowers away.

 

A positive depiction of the Angel of Death (Azrael), by Evelyn De Morgan, painted in 1881. (Image Credit: Public Domain via Wikimedia Commons)

 


“Footsteps of Angels”

 

When the hours of Day are numbered,

And the voices of the Night

Wake the better soul, that slumbered,

To a holy, calm delight;

 

Ere the evening lamps are lighted,

And, like phantoms grim and tall,

Shadows from the fitful firelight

Dance upon the parlor wall;

 

Then the forms of the departed

Enter at the open door;

The beloved, the true-hearted,

Come to visit me once more;

 

He, the young and strong, who cherished

Noble longings for the strife,

By the roadside fell and perished,

Weary with the march of life!

 

They, the holy ones and weakly,

Who the cross of suffering bore,

Folded their pale hands so meekly,

Spake with us on earth no more!

 

And with them the Being Beauteous,

Who unto my youth was given,

More than all things else to love me,

And is now a saint in heaven.

 

With a slow and noiseless footstep

Comes that messenger divine,

Takes the vacant chair beside me,

Lays her gentle hand in mine.

 

And she sits and gazes at me

With those deep and tender eyes,

Like the stars, so still and saint-like,

Looking downward from the skies.

 

Uttered not, yet comprehended,

Is the spirit's voiceless prayer,

Soft rebukes, in blessings ended,

Breathing from her lips of air.

 

Oh, though oft depressed and lonely,

All my fears are laid aside,

If I but remember only

Such as these have lived and died!

 


“Flowers”

 

Spake full well, in language quaint and olden,

One who dwelleth by the castled Rhine,

When he called the flowers, so blue and golden,

Stars, that in earth's firmament do shine.

 

Stars they are, wherein we read our history,

As astrologers and seers of eld;

Yet not wrapped about with awful mystery,

Like the burning stars, which they beheld.

 

Wondrous truths, and manifold as wondrous,

God hath written in those stars above;

But not less in the bright flowerets under us

Stands the revelation of his love.

 

Bright and glorious is that revelation,

Written all over this great world of ours;

Making evident our own creation,

In these stars of earth, these golden flowers.

 

And the Poet, faithful and far-seeing,

Sees, alike in stars and flowers, a part

Of the self-same, universal being,

Which is throbbing in his brain and heart.

 

Gorgeous flowerets in the sunlight shining,

Blossoms flaunting in the eye of day,

Tremulous leaves, with soft and silver lining,

Buds that open only to decay;

 

Brilliant hopes, all woven in gorgeous tissues,

Flaunting gayly in the golden light;

Large desires, with most uncertain issues,

Tender wishes, blossoming at night!

 

These in flowers and men are more than seeming,

Workings are they of the self-same powers,

Which the Poet, in no idle dreaming,

Seeth in himself and in the flowers.

 

Everywhere about us are they glowing,

Some like stars, to tell us Spring is born;

Others, their blue eyes with tears o'er-flowing,

Stand like Ruth amid the golden corn;

 

Not alone in Spring's armorial bearing,

And in Summer's green-emblazoned field,

But in arms of brave old Autumn's wearing,

In the center of his brazen shield;

 

Not alone in meadows and green alleys,

On the mountain-top, and by the brink

Of sequestered pools in woodland valleys,

Where the slaves of nature stoop to drink;

 

Not alone in her vast dome of glory,

Not on graves of bird and beast alone,

But in old cathedrals, high and hoary,

On the tombs of heroes, carved in stone;

 

In the cottage of the rudest peasant,

In ancestral homes, whose crumbling towers,

Speaking of the Past unto the Present,

Tell us of the ancient Games of Flowers;

 

In all places, then, and in all seasons,

Flowers expand their light and soul-like wings,

Teaching us, by most persuasive reasons,

How akin they are to human things.

 

And with childlike, credulous affection,

We behold their tender buds expand;

Emblems of our own great resurrection,

Emblems of the bright and better land.

 

In this illustration from a 15th-century French manuscript, Alexander the Great and his retainers kneel to pray at the Trees of the Sun and Moon in India. The Dry Tree (at center) has a Phoenix perched on top – a cross-cultural symbol of resurrection and immortality. (Image Credit: Public Domain via Wikimedia Commons)

 


 

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