WINGED WORDS WINDSDAY
Compiled & Edited by Rob Chappell
(@RHCLambengolmo)
Vol. 2, No. 23: April 5, 2023
Editor’s Note
The Editor has a confession to
make: I’ve never outgrown children’s literature. I’ve enjoyed it ever since I
was a child, and I still enjoy reading children’s books to this very day,
either to myself or to my 85-year-old mother, who also enjoys them immensely,
as she is still among the young at heart.
This week, we celebrate the
enchanted world of children’s literature, which is still open for business, no
matter how old you may be.
Cover of the
first edition (1902) of The Tale of Peter Rabbit by Beatrix
Potter – one of the Editor’s favorite stories from his childhood days. (Image
Credit: Public Domain via Wikimedia Commons)
“The Faery
Book”
By Norman Gale
(1862-1942)
In summer,
when the grass is thick,
If Mother has
the time,
She shows me
with her pencil
How a poet
makes a rhyme,
And often she
is sweet enough
To choose a
leafy nook,
Where I cuddle
up so closely
When she reads
the Faery-book.
In winter when
the corn’s asleep,
And birds are
not in song.
And crocuses
and violets
Have been away
too long,
Dear Mother
puts her thimble by
In answer to
my look,
And I cuddle
up so closely
When she reads
the Faery-book.
And Mother
tells the servants
That of course
they must contrive
To manage all
the household things
From four till
half-past five,
For we really
cannot suffer
Interruption
from the cook,
When we cuddle
close together
With the happy
Faery-book.
“The Enchanted
World of Classic Stories”
By Rob Chappell,
M.A.
Adapted &
Expanded from Cursus Honorum VII: 6 (January 2007)
Long before the advent of
television, radio, movies, and the Internet, storytelling provided our agrarian
forebears with endless hours of edutainment. The myths, legends, and folktales
transmitted by storytellers and collected by scholars demonstrate how our
ancestors viewed their relationship with the natural world and with the
invisible powers that were believed to dwell within and beyond it.
Our pre-industrial ancestors’ worldview
was built upon the foundation of shared stories that defined the nature of
their common life together. Classic tales were handed down from one generation
to the next because they conveyed important life lessons in engaging and
memorable ways. Adults who spent their earliest years listening to spellbinding
tales being recited from memory or read aloud from a storybook passed on their
favorite stories to their children – along with the values and lessons that the
stories contained.
The following anthologies of
classic tales, available in several printed editions and on the Internet, can
provide us with the keys to an enchanted realm where the magic of the
storyteller’s art can enthrall us for hours on end in the theater of the mind!
·
The
Panchatantra, compiled by the Indian sage Vishnu Sharma
(fl. ca. 200 BCE), is a vast collection of traditional animal tales from
ancient India. It was designed to educate young royals on the principles of
ethical leadership, and over the past two millennia, it has become the most
translated literary work from the Indian subcontinent. The perennially popular
tales of the Panchatantra have had an enduring impact on literary
traditions throughout the world!
·
The Arabian Nights: Collected
over a timespan of several centuries, beginning at the royal court of the
learned Caliph Harun Al-Rashid (763-809) in Baghdad, these stories include such
rollicking adventures as Aladdin, Sindbad the Sailor, Ali Baba,
and many others. Although these 1001 tales were compiled in the Arabic language,
they have a truly international flavor, having originated in such diverse
places as China, India, Persia, the Arabian Peninsula, and Egypt.
·
The Grimms’ Faery Tales: Collected by the scholarly German brothers Jakob
(1785-1863) and Wilhelm (1786-1859) Grimm, this anthology showcases the
traditional household tales of the German-speaking peoples of Central Europe.
Many of our most familiar children’s stories (e.g., The Frog Prince, Rapunzel,
etc.) first found their way into print through the Grimms’ anthology. However,
the original tales are far more colorful than the versions adapted for
children!
·
Bulfinch’s Mythology: Compiled by Thomas Bulfinch, a Bostonian classicist
(1796-1867), this is the ultimate anthology of timeless tales from ancient and
medieval times. His monumental compendium is sometimes divided into three
separate volumes: (I) The Age of Fable,
(II) The Age of Chivalry, and
(III) Legends of Charlemagne.
Each of Bulfinch’s lively retellings is drawn from authentic original source
material.
·
Hans Christian Andersen (1805-1875) created marvelous tales
from his own imagination that conveyed his profound insights into the human
condition. All of Andersen’s stories are worthwhile reading, both the well-known
(e.g., The Ugly Duckling) and ones
that are sometimes overlooked (e.g., The
Snow Queen).
·
George MacDonald (1824-1905) is the Editor’s
favorite author of literary faery tales. His masterpieces include Phantastes
(1858), At the Back of the North Wind (1871), and Lilith
(1895). All of his faery tales, written both for the young and the young at
heart, invite readers to appreciate the hidden wonders all around us that we
encounter on life’s journey.
·
The Faery Books of Many Colors are
anthologies of classic tales from around the world and across the centuries.
They were compiled, edited, and published between 1889 and 1913 by Andrew Lang
(1844-1912) and his wife, Leonora Blanche Alleyne Lang (1851-1933). These
multicultural stories, drawn from myths, legends, folktales, histories, and
biographies, are a collective treasure-trove of storytelling that can be
enjoyed by readers of all ages.
·
Beatrix Potter (1866-1943), best known for her
tales of Peter Rabbit and his animal friends, was also a farmer, sheep breeder,
mycologist, conservationist, and illustrator. The Editor learned the top-secret
moral of The Tale of Peter Rabbit (1902) when it was read to him
at an early age – namely, that eating too many green vegetables can be hazardous
to your health!
In this Illustration
by Leonard Leslie Brooke (1862-1940), the Big Bad Wolf blows down the straw
house in a 1904 adaptation of the English faery tale, The Three Little
Pigs. (Image Credit: Public Domain via Wikimedia Commons)
“The Faery
Book”
By Abbie
Farwell Brown (1871-1927)
When Mother
takes the Faery Book
And we curl up
to hear,
'Tis "All
aboard for Faeryland!"
Which seems to
be so near.
For soon we
reach the pleasant place
Of Once Upon a
Time,
Where birdies
sing the hour of day,
And flowers
talk in rhyme;
Where Bobby is
a velvet Prince,
And where I am
a Queen;
Where one can
talk with animals,
And walk about
unseen;
Where Little
People live in nuts,
And ride on
butterflies,
And wonders
kindly come to pass
Before your
very eyes;
Where candy
grows on every bush,
And playthings
on the trees,
And visitors
pick basketfuls
As often as
they please.
It is the
nicest time of day -
Though Bedtime
is so near, -
When Mother
takes the Faery Book
And we curl up
to hear.
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